Post by CountryCrock on Mar 4, 2024 21:52:56 GMT
142MB
mega.nz/file/NSUmzawK#vYhB_EJ2MgmFxCpShLOjd2W3-XRnEcm1ayVBJCrwsgo
Anyone that tries to discredit the worth of this song just because Dave Dexter tacked-it onto the beginning of the Capitol Rubber Soul instead; either, is making an intellectually dishonest argument (particularly, if they're American) or is just some fraud U*M*e influencer trying to disavow any Capitol (vintage) Beatles' title regardless. It, really, was/is unique for their "sound" at that stage of their catalog and...as an ORIGINAL: its inventiveness is 1000x better than the Carl Perkins' covers they'd been rehashing as filler tracks up to mid-1965.
If one wants to complain about a U.K. RS track Capitol shortchanged out-of "proper album respectability", it has to be NOWHERE MAN. Imagine(?)...if Nowhere Man had opened-up side 2 of the Capitol RS (rather the way it got relegated to the successive compilation Y&T: designed as only next-Summer's then-stop-gap product before Revolver)!
The 1970-1971, singular, Ampex reel re-release of RUBBER SOUL is hissier than the 1966 3 3/4ips Capitol "two-fer" (here: i.postimg.cc/Y9DKwZXj/Polish-20230727-000106473.jpg ) because (I think?) Ampex tried to somehow squelch the sibilance problem the original mix source is notorious for from the start (which: Capitol's dynamic compression in the 6500Hz-8200Hz spectrum further exacerbated even more). However, the Ampex copy is not "ear bleeding" at least vs. the way the 1966 tape sounds. The 1966 tape is mastered hot-as-hell (on very brittle acetate) with the treble response often seeming like rattling change in a frying pan.
i.postimg.cc/9fKTDFNh/Polish-20200812-020106197.jpg
i.postimg.cc/DZ30VWM8/Polish-20240303-172913772.jpg
mega.nz/file/NSUmzawK#vYhB_EJ2MgmFxCpShLOjd2W3-XRnEcm1ayVBJCrwsgo
Anyone that tries to discredit the worth of this song just because Dave Dexter tacked-it onto the beginning of the Capitol Rubber Soul instead; either, is making an intellectually dishonest argument (particularly, if they're American) or is just some fraud U*M*e influencer trying to disavow any Capitol (vintage) Beatles' title regardless. It, really, was/is unique for their "sound" at that stage of their catalog and...as an ORIGINAL: its inventiveness is 1000x better than the Carl Perkins' covers they'd been rehashing as filler tracks up to mid-1965.
If one wants to complain about a U.K. RS track Capitol shortchanged out-of "proper album respectability", it has to be NOWHERE MAN. Imagine(?)...if Nowhere Man had opened-up side 2 of the Capitol RS (rather the way it got relegated to the successive compilation Y&T: designed as only next-Summer's then-stop-gap product before Revolver)!
The 1970-1971, singular, Ampex reel re-release of RUBBER SOUL is hissier than the 1966 3 3/4ips Capitol "two-fer" (here: i.postimg.cc/Y9DKwZXj/Polish-20230727-000106473.jpg ) because (I think?) Ampex tried to somehow squelch the sibilance problem the original mix source is notorious for from the start (which: Capitol's dynamic compression in the 6500Hz-8200Hz spectrum further exacerbated even more). However, the Ampex copy is not "ear bleeding" at least vs. the way the 1966 tape sounds. The 1966 tape is mastered hot-as-hell (on very brittle acetate) with the treble response often seeming like rattling change in a frying pan.
i.postimg.cc/9fKTDFNh/Polish-20200812-020106197.jpg
i.postimg.cc/DZ30VWM8/Polish-20240303-172913772.jpg