Post by CountryCrock on Mar 23, 2024 0:40:59 GMT
Another fraud YouTube channel from Hoffman's felon webmaster:
(full scale: i.postimg.cc/3xKMk1qb/Screenshot-20240322-185200-Gallery.jpg )
WHY??? would I want to hear a tape recording dubbed from A CRACKLING RECORD and, then?, have it be intimated (by a fucking deaf drug addict con-man) that THAT is (somehow) supposed to be representative of R2R's analog ability???
(full scale: i.postimg.cc/SNXLWYXL/Screenshot-20240322-185149-Gallery.jpg )
This abject mofo *FEDERAL-LEVEL CRIMINAL*
(full scale: i.postimg.cc/XYBpHw3L/Screenshot-20240228-073928-Gallery.jpg )
is a total, non-intelligent JOKE (along with his two accomplice brothers --- i.postimg.cc/nzbRjYVP/Screenshot-20240311-110431-Gallery.jpg
i.postimg.cc/BQLKkWB2/Screenshot-20240320-192638-Gallery.jpg )!
No...dubbing vinyl to reel DOES NOT "MAGICALLY" MAKE IT SUDDENLY SOUND LIKE A MASTERTAPE FACSIMILE.
That moron has medically-compromised hearing with TINNITUS (here: i.postimg.cc/3xZf4D08/Screenshot-20230909-164517-Gallery.jpg ;
here: i.postimg.cc/MHbVP1SX/Screenshot-20230906-104431-Gallery.jpg ;
here: i.postimg.cc/CMmKNvyk/Screenshot-20231201-163121-Gallery.jpg ;
here: i.postimg.cc/V6Z3S0Tr/Screenshot-20230906-115935-Gallery.jpg ;
here: i.postimg.cc/rsLYRGjp/Screenshot-20230906-131109-Gallery.jpg --- apparently? on the bass frequency spectrum as well as the high, judging by all the threads HE POSTS ABOUT SUBWOOFERS) TO BEGIN WITH. IT'S NO WONDER HE CAN'T TELL THE IMMEDIATE DIFFERENCES BETWEEN A TAPE (RECORDED FROM A *TAPE SOURCE*) VS. A RECORD (except to: always complain how tapes, to his *medically-compromised* abilities, have "no treble left"). IT'S BECAUSE: THE GUY ADMITS, IN HIS *OWN WORDS*, THAT HE'S GOT NO. FUCKING. HEARING. REMAINING. ABOVE. 7KHZ!
° The treble spectrum on 1/4" R2R
tape operating at 7 1/2ips is
emphasised at: 7800Hz, 10000Hz,
and 17100Hz.
(VINYL *CAN'T* POSSIBLY DO THAT
BECAUSE IT WOULD: A. BURN-OUT
THE LACQUER CUTTER HEAD AFTER
MIDWAY THROUGH THE DISC; and B.
THE LAST THREE SONGS ON A GIVEN
SIDE WOULD SOUND LIKE SCRATCHING
FINGERNAILS ON A CHALKBOARD
MUTED IN SURFACE NOISE STATIC --
- so, that is why the RIAA curve
exaggerates the treble at a
lower frequency to compensate:
between 3900Hz - 4700Hz instead)
° The one, unmistakable, annoyance
of "vinyl sound"; compared to
a vintage quality R2R tape
duplication (when: a dedicated,
consumer market with quality
control over it existed from
around 1956 - 1974) IS: THE
WAY A RECORD HAS AN UPPER-BASS
"BLOAT" (to, again, make the
format's RIAA curve act to
compensate for lack of a
record's groove being able to
handle: bass, amplitude, AND
stereo separation ALL going on
at once) around 500Hz - 550Hz...
WHICH COMPLETELY KILLS THE
FOCUS OF THE SOUNDSTAGE
AND DEPTH OF THE MUSIC. VINYL
MAKES MOST STEREO ROCK SOUND
LIKE THE DRUMS ARE A CARDBOARD
BOX IN A BATHTUB. THE *SAME*
RECORDING ON A TAPE (or a
digital transfer from a tape)
*NEVER* SOUNDS THAT WAY. ANYONE
THAT CANNOT TELL THAT AS CLEAR-
AS-DAY IS, EITHER, A LIAR TRYING
TO SELL $500 COVER ART OR: HAS
SERIOUSLY QUESTIONABLE LISTENING
SKILLS (ESPECIALLY: IF THEY
ARE TRYING TO SELL A $10K SYSTEM
AND CLAIM TO -STILL?- NOT HEAR
IT).
Vinyl is the one format where the hardware can never make the media better than its limitations. The exact reason it's a field so full of bullshit used car salesmen.
(full scale: i.postimg.cc/3xKMk1qb/Screenshot-20240322-185200-Gallery.jpg )
WHY??? would I want to hear a tape recording dubbed from A CRACKLING RECORD and, then?, have it be intimated (by a fucking deaf drug addict con-man) that THAT is (somehow) supposed to be representative of R2R's analog ability???
(full scale: i.postimg.cc/SNXLWYXL/Screenshot-20240322-185149-Gallery.jpg )
This abject mofo *FEDERAL-LEVEL CRIMINAL*
(full scale: i.postimg.cc/XYBpHw3L/Screenshot-20240228-073928-Gallery.jpg )
is a total, non-intelligent JOKE (along with his two accomplice brothers --- i.postimg.cc/nzbRjYVP/Screenshot-20240311-110431-Gallery.jpg
i.postimg.cc/BQLKkWB2/Screenshot-20240320-192638-Gallery.jpg )!
No...dubbing vinyl to reel DOES NOT "MAGICALLY" MAKE IT SUDDENLY SOUND LIKE A MASTERTAPE FACSIMILE.
That moron has medically-compromised hearing with TINNITUS (here: i.postimg.cc/3xZf4D08/Screenshot-20230909-164517-Gallery.jpg ;
here: i.postimg.cc/MHbVP1SX/Screenshot-20230906-104431-Gallery.jpg ;
here: i.postimg.cc/CMmKNvyk/Screenshot-20231201-163121-Gallery.jpg ;
here: i.postimg.cc/V6Z3S0Tr/Screenshot-20230906-115935-Gallery.jpg ;
here: i.postimg.cc/rsLYRGjp/Screenshot-20230906-131109-Gallery.jpg --- apparently? on the bass frequency spectrum as well as the high, judging by all the threads HE POSTS ABOUT SUBWOOFERS) TO BEGIN WITH. IT'S NO WONDER HE CAN'T TELL THE IMMEDIATE DIFFERENCES BETWEEN A TAPE (RECORDED FROM A *TAPE SOURCE*) VS. A RECORD (except to: always complain how tapes, to his *medically-compromised* abilities, have "no treble left"). IT'S BECAUSE: THE GUY ADMITS, IN HIS *OWN WORDS*, THAT HE'S GOT NO. FUCKING. HEARING. REMAINING. ABOVE. 7KHZ!
° The treble spectrum on 1/4" R2R
tape operating at 7 1/2ips is
emphasised at: 7800Hz, 10000Hz,
and 17100Hz.
(VINYL *CAN'T* POSSIBLY DO THAT
BECAUSE IT WOULD: A. BURN-OUT
THE LACQUER CUTTER HEAD AFTER
MIDWAY THROUGH THE DISC; and B.
THE LAST THREE SONGS ON A GIVEN
SIDE WOULD SOUND LIKE SCRATCHING
FINGERNAILS ON A CHALKBOARD
MUTED IN SURFACE NOISE STATIC --
- so, that is why the RIAA curve
exaggerates the treble at a
lower frequency to compensate:
between 3900Hz - 4700Hz instead)
° The one, unmistakable, annoyance
of "vinyl sound"; compared to
a vintage quality R2R tape
duplication (when: a dedicated,
consumer market with quality
control over it existed from
around 1956 - 1974) IS: THE
WAY A RECORD HAS AN UPPER-BASS
"BLOAT" (to, again, make the
format's RIAA curve act to
compensate for lack of a
record's groove being able to
handle: bass, amplitude, AND
stereo separation ALL going on
at once) around 500Hz - 550Hz...
WHICH COMPLETELY KILLS THE
FOCUS OF THE SOUNDSTAGE
AND DEPTH OF THE MUSIC. VINYL
MAKES MOST STEREO ROCK SOUND
LIKE THE DRUMS ARE A CARDBOARD
BOX IN A BATHTUB. THE *SAME*
RECORDING ON A TAPE (or a
digital transfer from a tape)
*NEVER* SOUNDS THAT WAY. ANYONE
THAT CANNOT TELL THAT AS CLEAR-
AS-DAY IS, EITHER, A LIAR TRYING
TO SELL $500 COVER ART OR: HAS
SERIOUSLY QUESTIONABLE LISTENING
SKILLS (ESPECIALLY: IF THEY
ARE TRYING TO SELL A $10K SYSTEM
AND CLAIM TO -STILL?- NOT HEAR
IT).
Vinyl is the one format where the hardware can never make the media better than its limitations. The exact reason it's a field so full of bullshit used car salesmen.