Post by CountryCrock on Mar 30, 2024 13:40:29 GMT
171MB
mega.nz/file/5K92WQxA#fG470dRbHzo2W7pW2-47UMeLB5cPNmBFnEV4EJ8WW-A
You can tell this must have been one of the songs they'd still had leftover from the early sessions (before anyone knew whether the show would become the cult explosion it quickly -was- in the process of doing by the time the UP TO DATE album was released in February '71)...from, how, the pitch of David's vocal is sped-up in contrast to the way the backing track sounds almost to be "lagging".
But, hell, this certainly was no "filler"! Whoever Steve Dossick was: it's clear he'd been taking notes on "IN MY LIFE".
What fun would it be(?), though, without additional post-game commentary --- regarding (yet) ANOTHER SOCKPUPPET YOUTUBE CHANNEL OF HOFFMAN'S WEBMASTER???
Calling himself "Jan Addeo" this time:
(full-scale: i.postimg.cc/ydh6FMg7/Screenshot-20240329-112443-Gallery.jpg )
Hmmm...wonder if his hearing isn't shot-enough to be able to (actually) tell the difference between the analog original vs. the digital remaster???
I'll tell him (and: I *don't* have the supposedly "$10k system" he claims to have; however, I *do* have 1000x better material as well as medical judgement).
1. During the organ break between
1 : 58 - 2 : 00: the analog has
a "sustain" or "air" surrounding
the note until the vocal comes
back in. On the digital
remaster: it's more like a
"faint", with a space in-between
it and the last chorus.
2. The pitch variation separating
David's lead and the backing
track is A LOT more noticeable
on the (analog) original than,
it is on the digital copy. The
tape makes the distinction
of the treble difference on the
sped-up part more revealing vs.
how the backing part having the
speed "wrong" has all its
cadences kept at a lower octave
(and causing it to sound like
it's "lagging").
mega.nz/file/5K92WQxA#fG470dRbHzo2W7pW2-47UMeLB5cPNmBFnEV4EJ8WW-A
You can tell this must have been one of the songs they'd still had leftover from the early sessions (before anyone knew whether the show would become the cult explosion it quickly -was- in the process of doing by the time the UP TO DATE album was released in February '71)...from, how, the pitch of David's vocal is sped-up in contrast to the way the backing track sounds almost to be "lagging".
But, hell, this certainly was no "filler"! Whoever Steve Dossick was: it's clear he'd been taking notes on "IN MY LIFE".
What fun would it be(?), though, without additional post-game commentary --- regarding (yet) ANOTHER SOCKPUPPET YOUTUBE CHANNEL OF HOFFMAN'S WEBMASTER???
Calling himself "Jan Addeo" this time:
(full-scale: i.postimg.cc/ydh6FMg7/Screenshot-20240329-112443-Gallery.jpg )
Hmmm...wonder if his hearing isn't shot-enough to be able to (actually) tell the difference between the analog original vs. the digital remaster???
I'll tell him (and: I *don't* have the supposedly "$10k system" he claims to have; however, I *do* have 1000x better material as well as medical judgement).
1. During the organ break between
1 : 58 - 2 : 00: the analog has
a "sustain" or "air" surrounding
the note until the vocal comes
back in. On the digital
remaster: it's more like a
"faint", with a space in-between
it and the last chorus.
2. The pitch variation separating
David's lead and the backing
track is A LOT more noticeable
on the (analog) original than,
it is on the digital copy. The
tape makes the distinction
of the treble difference on the
sped-up part more revealing vs.
how the backing part having the
speed "wrong" has all its
cadences kept at a lower octave
(and causing it to sound like
it's "lagging").